Sad Quotes


Sad quotes
Source:- Google.com.pk

We have made a society that does not know how to love. It only knows how to obsess and compromise. All of us, in one way or another, are caught in a cycle of aversion to pain that restricts us, binds us in ways that we may not be even aware to, but severely cripple our experience of life. I feel as if most of us are even afraid to admit a harmless, platonic love to another person. We are all capable of loving purely, in the way that has been taught countless times before, by Ghandi, by Buddha, by Jesus, and many others. Even if all the reasons we do not love naturally seem intimidating, they are nothing to what we as human beings can do. All it takes is a choice of personal power in order to honestly love and appreciate another person. I hope, and have always hoped, that the world as a whole will make this decision to evolve, to advance and mature as a species. Yet for all my posturing, I’m never sure of this reality myself, and I hardly see the signs of this evolution anywhere. I’m afraid, terrified. I’m afraid that at this point, love is broken and we don’t want to fix it.
I don’t believe in “love” as most of us do, not the romantic, idealized, abstract and perhaps ridiculous noun of an idea. I recognize “love” as the wholesome, grateful, accepting and respectful verb in action. I personally believe that all forms of love must be preceded by a genuine level of spiritual love and acceptance; anything else is either infatuation, obsession, or perversion. However, what I tend to see in society--no, not even just see but explicitly, personally experience and sense in society--is a serious straying from this idea which I can only view as a basic tenet for any kind of human, cooperative experience that can be considered remotely natural or sane. It is almost as if our culture has become emotionally, psychically, spiritually stagnant. For us, displays of affection are embarrassing. When I say embarrassing, I mean it becomes difficult for us to truly express our honest emotions towards another person; the number of people who have difficulty expressing themselves emotionally in coherent sentences is surprising: most people I have met are incapable of interpreting any kind of emotion other than the most basic such as anger, joy, and fear. How are we supposed to explore ourselves as human beings while so restricting ourselves to an external standard imposed on us by society, one which limits us from our own full emotional empowerment and potential? After all, our emotions are what drive everything in our lives whether we want to admit it or not. It seems as if somewhere along the road, we as a culture (particularly American culture and “white” culture in general), took a wrong turn and somehow ended up in an environment where it is as if we are rather tolerating each other rather than coexisting; measuring rather than collaborating; and suspecting one another rather than trusting and evolving as a species.

Sad quotes


Sad quotes


Sad quotes


Sad quotes


Sad quotes


Sad quotes


Sad quotes


Sad quotes


Sad quotes


Sad quotes



Sad Quotes Love


Sad quotes love
Source:- Google.com.pk

I don’t believe in “love” as most of us do, not the romantic, idealized, abstract and perhaps ridiculous noun of an idea. I recognize “love” as the wholesome, grateful, accepting and respectful verb in action. I personally believe that all forms of love must be preceded by a genuine level of spiritual love and acceptance; anything else is either infatuation, obsession, or perversion. However, what I tend to see in society--no, not even just see but explicitly, personally experience and sense in society--is a serious straying from this idea which I can only view as a basic tenet for any kind of human, cooperative experience that can be considered remotely natural or sane. It is almost as if our culture has become emotionally, psychically, spiritually stagnant. For us, displays of affection are embarrassing. When I say embarrassing, I mean it becomes difficult for us to truly express our honest emotions towards another person; the number of people who have difficulty expressing themselves emotionally in coherent sentences is surprising: most people I have met are incapable of interpreting any kind of emotion other than the most basic such as anger, joy, and fear. How are we supposed to explore ourselves as human beings while so restricting ourselves to an external standard imposed on us by society, one which limits us from our own full emotional empowerment and potential? After all, our emotions are what drive everything in our lives whether we want to admit it or not. It seems as if somewhere along the road, we as a culture (particularly American culture and “white” culture in general), took a wrong turn and somehow ended up in an environment where it is as if we are rather tolerating each other rather than coexisting; measuring rather than collaborating; and suspecting one another rather than trusting and evolving as a species.

At a surface level, there are two obvious ways to analyze this issue, utilizing Marxist and feminist criticism. At the outset, a Marxist interpretation tells us that the basic issue is that our economic situation has impacted our cultural psyche; because we operate under a false ideology (an ideology that seeks to keep power with those at the top of a social class) which seeks to permanently separate the rich and the poor, we ourselves are put under the pressure of this class system, striving to either gain wealth or retain wealth, and those of us who are too poor are incapable of doing either--which is where the idea of the American dream comes into play, convincing us that regardless of our monetary stature or class, we can still achieve. In fact, the American dream has become such a strong force in American culture that it’s almost expected of all of us--a relaxed, easy-going lifestyle is viewed as unmotivated and worthless, the poor are viewed as lazy and useless because they are not “succeeding” in a system that is designed to keep them from doing so, and the middle-class person is expected to succeed and continue succeeding. The American dream has succeeded its original humble ideal of owning your own home and beautiful, nuclear family; now, it is a fantasy of complete and total abundance. As a culture, this kind of ideal puts a gigantic expectation on us, whether we are aware of it or not, whether we subscribe to it or not, whether we want it to or not. All of us, at one level or another, is pressured by the American dream. Nobody except the most privileged, lucky, and perhaps hard-working can achieve the kind of fame and wealth that seems to represent America. Yet, we all seem to expect it of ourselves in one way or another, and when we fail to, we for some reason blame ourselves for inability (once again, whether we are conscious of this influence or not). Or, worse yet, we realize that the American dream is absurd and become stagnant, unable to move in our lives. Add this on top of the subconscious, constant sense of cutthroat competition that underlies all activities, even some realms of the arts, and we begin to see why there is so little love for the rest of humankind, when we are too stuck in our own struggling lives against the others on the same level as us, underneath the titans who we never seem to reach, and above the poor and pitiful who we have been taught to condescend to. This classist attitude makes it very difficult to remember that we are all human, at base on the same level of existence. Because of the “false consciousness” (another term for false ideology) that follows us as can be seen in the experience of the well-off narrator amongst the poor struggling with his own moral guilt in The Fever (a book about a nondescript man who lives richly but then becomes guilty as he sees the poor and penniless in an unnamed country), it becomes that much more difficult to treat one another with the kind of respect that we deserve as human beings--in fact, the only kind of respect we can possibly afford. As I say in my essay regarding The Fever, “the only thing that could work [to solve the classist issue] is if enough powerful people became selfless enough to eventually lose everything they had to help the common people, the helpless . . . Even then, there are people who are even greater, more powerful than us who would do anything to stop ‘progress‘.” However, we as a people at this moment in time seem unable to achieve this--at this time, all we can possibly have is what love we can afford each other where we can.

Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad quotes love


Sad Love Quotes From Songs


Sad love quotes from songs
Source:- Google.com.pk

Love is a dark and intangible feeling that often exposes it's targets to danger, pain and suffering. Love is the pillar for friendship, yet it works to weaken us, and drives us to depend on and be sensitive of others. Love is built on a foundation of trust, a thin barrier between formality and chaos. Which leaves room for a selected group of people to abuse the trust and take advantage. Some might argue that love brings humans together and promote cooperation, yet cooperation and unionism are two very short fangled areas, as they will soon be contaminated with betrayal and lies. Love is a dangerous component of life and it works to deceive and manipulate other people's trusts.

At young ages, humans have a natural instinct to befriend people, but this is what weakens them and makes them vulnerable to power hungry people such as bullies. In kindergarten, we have watched countless children fall into the hands of bullies. These innocent children end up working as mindless slaves on behalf of the bully, or they get publically ridiculed and emotionally hurt. These malevolent children gained their sadistic powers by taking advantage of the innocent. Ingenuous children haven't seen the world as a whole yet, so they easily endow their love and kind hearts into the wrong investments. Their love has been abused, yet if there were no such a thing as love, nobody would get hurt.

Jealousy, which buds from the tree of love, motivates people to commit irrational actions. Most causes of dramas, whether at work or at school, revolve around jealousy. This will work to dissipate the concentration of one and provide more room for mistakes and distraction. When one feels jealous, it is because they care. Love provokes sentimental feelings and causes ones to care. In our busy lives, there is no room for drama. 

Yet one might argue that love is what makes us human. Love is what brings together family, friends and happy memories. Nonetheless, who can judge that their love towards one is real? Maybe they are just taking advantage. Nobody knows. The trust between two people can be broken at a snap of a finger. An overheard conversation, a misread text message or simply the element of doubt can shatter the component of trust between two people. There is nobody you can trust but yourself. Why love others? Maybe love can bring us together, but it is unstable and dangerous.

Love is like a rose. The beauty of the flower is indescribable with words, but the stems are filled with vile thorns. Like a rose, it looks attractive and stunning, but as you look closer and examine it thoroughly, you will discover that it comes with pricks of jealousy, hatred, and mistrust and it will weaken you. If Love was not invented, Romeo and Juliet would have lived on, and nobody would have to suffer the pain and suffering love has to offer.

Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Sad love quotes from songs


Shakespeare Sad Love Quotes


Shakespeare sad love quotes
Source:- Google.com.pk


The movie Shakespeare in Love has been hauling in the audiences and the ticket sales just as its subject, the play Romeo and Juliet, did so long ago, and still does, whenever it is played. This movie is delightful, but as everyone knows, it is not the truth. It is a good story, but it is not the true story of Shakespeare in love.
You see, if we're to see a movie about Shakespeare in love, it has to be a fantasy, it cannot be the truth, because the man that everyone has thought for four hundred years was Shakespeare the great playwright, was not a playwright. This man had very little to do with the theater but pull down a small pension for the use of his name. He has left no story worth telling, while the man who really did write the plays has a marvelous story, a story which until recently, has remained untold.
Should it surprise us that the true story, like the movie, does involve the writing of Romeo and Juliet, Shakespeare's most romantic play? What follows is what may well be the true story, about half fact, half best guess, pieced together from contemporary documents, the works of historians, of literary historians and commentators, of Shakespeare experts, some orthodox, some necessarily radical, and the plays themselves. And if we add some spice in the telling, who's to say us nay? Certainly not Shakespeare.
_____
This is the story of a lonely teenager; an ordinary boy in many ways, much like Romeo in fact, a boy with the same goals, desires, hopes and fears of all youth; but this boy was also extraordinary; in fact, he was far more extraordinary than he was ordinary. This boy was born with a gift so powerful that in many ways it would prove to be a curse, a gift of language, of memory, of intellectual and imaginative power, a gift that would place him on the level of few individuals over the course of history, individuals such as Alexander the Great, Jesus Christ, Leonardo da Vinci, Sir Isaac Newton, Mozart, Bach, Benjamin Franklin, and Albert Einstein; individuals who molded history, who created culture with their insights, discoveries and creations.
Not only was he brilliant, he was handsome, with the red gold hair so prized by his race and class, and although he was on the small side, he had as well the strength and physique of an athlete, a tennis player and a fencer. He was also born into the highest levels of the English nobility, the heir to the second oldest Earldom in the nation. Had he been born in Italy he would have been regarded as a Prince, for there, unlike England, the nobility still retained complete control over their medieval demesnes, which we call principalities. His rank, although in some respects a marvelous gift, was also a curse, for although it gave him a great deal more economic freedom than most men of his age, it also tied him to a prescribed and highly restrictive role in the life of his community, a role he could escape only in the theatre or in the pages of a book; ultimately it demanded the sacrifice of his identity as a writer.
Because of his social position the boy was educated by the greatest scholars of his day. For several years between the ages of eight and twelve he remained under the tutelage of one of the most respected Greek scholars in the nation, who held the chair at Cambridge University in Civil Law and wrote the book that most strongly influenced government officials in determining policy. From age twelve to thirteen or fourteen he was tutored by one of the greatest antiquarians of the time, an Anglican prelate whose name can be found penned on the back of the oldest literary document claimed by England, perhaps the most famous document in our literary heritage, that of the Old English epic, Beowulf, together with the date "1562, " a year when it is known that the boy was with him.
As you can see, a tremendous amount of love and hope rested on this boy. Yet despite this loving care, he was a lonely child right from the start. He had no brothers, and although he had a sister close to his own age, it is doubtful they ever actually lived together, even in their infancy and childhood. It is likely that he received a great deal of love from his nursemaid in childhood, and probably from all the retainers on his fathers estate, but if he was like most children of the nobility, as it seems that he was, his parents would have been too busy with affairs of State and their own social lives to see him except at holidays like Michaelmass and Shrovetide, when the Court community gathered at one of the great palaces or houses of the nobility for Christmas or May games, the only time he was able to play with other children like himself. The rest of the time he spent with his tutors or hanging about with servants, from whom he absorbed the rich oral culture of folklore, the tales and superstitions, the holiday rituals and folk remedies, still alive and flourishing among the unlettered servants and rural folk of 16th-century England.
The lonely lad kept himself company with books, at first the adventure stories that were so popular, King Arthur and his knights of the Roundtable, in French or Italian, languages he picked up easily as he had been reading Latin since he was five or six. His first tutor intoduced him to the Greek classics, and his second tutor to the Saxon languages. His brilliant mind swept aside the difficulties of each new language in its eager pursuit of stories, sure that like the bean in the holiday pudding, some important message about the meaning of life could be found in each new plot, each variation on an ending.
_____
His life changed suddenly in his twelfth summer with the death of his father; overnight all previous plans for his future were rendered null and void. As an underage peer of the realm he became a ward of the Crown and was sent to London to live with the man that was probably the most important figure in England, equal to if not surpassing the brilliant Queen herself, her Principle Secretary, William Cecil, not yet forty, and with some way yet to go before he reached the apex of his career as the Lord Treasurer, a post he would hold for the rest of his long life.
The boy was lonely at Cecil House, but then he was used to being lonely, and there at least there was a great library of books to explore, an immense garden filled with every sort of plant, while around the dinner table was heard the conversation of the most influential people of the time, foreign ambassadors and agents, lawyers with important cases to discuss, the good, the bad, the brilliant, the beautiful, speaking French, Italian, Spanish, German, Polish, Russian; all fascinating. The following year his cousin, the young Earl of Rutland, only a year older than himself and also ward of the Crown, joined him at Cecil House. For the first time he knew what it meant to have the close companionship of a boy his own age. They went to all the great Court and holiday functions together.
Other boys joined them at Cecil House from time to time, boys of high rank whose parents saw the value in having their sons spend time in the Lord Treasurer's household where they formed a little academy. We must set aside our class prejudices about such a group, and not regard it as we might today, as nothing more than a sort of junior country club for upper class twits. Class division was part and parcel of the life of the times; these boys were looked to to bear the burden of governing the State in their mature years; for them, privilege was more than balanced by the pressures of grave responsibility.
_____
His mother had married again, to the man who had been Captain of his father's Horse. Although she continued to be referred to as the Dowager Countess, as she had no claim to nobility other than her marriage to his father, she was now as far beneath him in the social scale as she had been above him as a child, lost to him forever across a great divide of class and rank. He saw her occasionally at those Court functions where everyone was welcome. Still only in her early thirties, still beautiful, how was he to treat this woman, at once so central to his being and yet so distant? It was always hard for him to speak when his heart was overcome with feeling. He would assume a cool expression, speaking abruptly to hide the loneliness and confusion that any thought or sight of her provoked and to conquer the tears that never failed to rise at any thoughts of bygone days. When he felt secure enough to look for her again, she was gone.
Only Rutland knew his sensitivity; all others found him either brilliant and witty or sullen and silent; but his heart he hid from all but his friend, and even he never knew it all. Nurtured on the French romances that were the boyhood reading of his day, he dreamed of attaining the love that he had yearned for in secret since he was pryed screaming from his nurse's arms at the age of five, and set to learning Latin with a pious young uncle. He spent his quiet hours dreaming of a romance of the sort he read about in the tales of Sir Lancelot and Prince Orlando, fated, overwhelming. She would be beautiful, graceful, a good dancer. They would make love. His imagination, always powerful, and now coupled with a teenage boy's libido, made it as real as though it had already happened. Well, almost as real.
He and Rutland attended the wedding of the Earl of Warwick as pages. Either there or at another similar Court function he fell in love with one of the Queen's young Maids of Honor, a beauty two or three years older than himelf. Despite his attractive looks he was still only a child in her eyes. She was far too interested in the young men that surrounded her.
Although it was clear she wasn't interested, the poor kid couldn't get her out of his mind. To his surprise this love he had read so much about was no fun at all! Actually it was torture! He tried to ease his heart by writing poems in the popular Petrarchan style. Reams of juvenile poems, the ink all splattered with tears, failed to bring him relief. What use was it to write her poems when she wouldn't even speak to him?! Unable to hide his misery, or his poetry, his heartless friends teased him mercilessly. The following Christmas, her presence at the holiday masques offered them rich opportunities for his humiliation. Loving her, hating her, hating them, he did his best to conquer his heart, to suffer in silence. If this was what love was all about, he wished never to experience it again!
Then he met another girl. Her name was Mary Browne. She was 13-years-old, newly arrived at Court to serve as Maid of Honor. She was everything he had dreamed of, beautiful, sweet, and also, and this he had not expected, intelligent and witty! She was not only good to look at, she was fun to talk to. He forgot the other girl and dreamed only of Mary. Did she love him also? We'll probably never know for sure, although it seems fair to guess that she did, although perhaps a kiss or two, some romantic whispers, some burning poems and a cartload of melting glances were probably the only contact they ever had.
In any case, the romance of his dreams was not to be, for Mary's family were Catholic, and she was pledged to a Catholic peer, the second Earl of Southampton. Mary was only thirteen while Southampton was an aged twenty-one! The boy was outraged, miserable. It wasn't fair. Yet he knew, of course, that as long as his life was controlled by the Lord Treasurer, a leader of the Protestant faction at Court and in Parliament, he would never be allowed to marry a Catholic, which left out at least eighty percent of the girls in his traditional social circle. He hated Southampton and wanted to kill him. He hated his guardian for his attitude towards Catholics. His terrible lifelong loneliness and the normal physical desires of a teenage boy combined with hatred for those who stood between himself and the beautiful Mary.
All of his life, one of his greatest problems would be the tempestuous emotions that threatened to swamp him at important junctures. Finally, desperate to escape his own thoughts and feelings, he sought escape in his ancient refuge, a French anthology of romance tales. One of the stories reminded him of his present dilemma. It was the tale of two teenaged lovers, separated by cruel Fate. The plot was good, but the story was unsatisfying as it was told. It was way too short, for one thing. A good story demanded a full, well-dramatised telling. He shared his opinion with Rutland.
Grateful that his miserable friend, whom he despaired of ever seeing smile again, had finally taken him back into his confidence, Rutland urged him to use his poetic talents to make it into a better story. Hardly had the words entered his mind but lines began forming in the jog-trot meter of the day:


  Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes



   Shakespeare sad love quotes


Sad Love Quotes In Tamil


Sad Love Quotes In Tamil
Source:- Google.com.pk

 Mudhal irundha unmai kaadhal ippodhu unnidam illai.
ennai marandha un idhayathai kaanum valimai ennidam illai.
sudargindra sooriyanai pol suterithaaye:(
paaviyana en kaadhalai ne sandhegithaye:(
unakendru irukira ennai marandhu ponaye!
kangalil neer soozha kalangi nindrene!
unarvatra un vaarthaigalal urukulaindhene..
nee tan pesugiraaya endrenni udaindhu ponene..
un anbai kaadhalai unmai ene nambi nindraval naane...
adhu unmai alla endrunarndhum nirkiren naane..
irukum varai en kaadhal unmai illai ene vanjithaaye...
irandha pin kenjinaalum en kaadhaluku uruvam irukaadhe...
unmai kaadhal endrunartha ennidam ethuvum illaye
en anbai kaatilum uyarndha unarvu ethuvum illaye
kaadhalikiren endru sonnal mattum podhuma
unmai kaadhal idu vendru unaku sonnal puriyumaethanai murai pirandhalun kaadhal saagumaekkalam purindhu kolvai?kaathirupene...
en kaadhal nijamendru puriyum orunaal....
adharkul en idathai veroruvaluku koduthu vidathe!
ennai pol unai purindhu kolla avaluku indha jenmam podhathe!Kannodu kalanthirunthal kannirodu viddirupen,
en uyirodu nee kalanthirunthal unnai pirivathe eppadi??

Kavithai meal
Kadhaladi
Unnai varnithu ezutha
thodangiyadhu mudhal!

Kadhal meal
Kadhaladi
Unnai Neasikka
thodangiyadhu mudhaPathinettu patti suula aavesam konda mariyatha

Sattena erangenaal periaya veetu shanthi meethu

Enna vendum kael maganae endral!

Aavesam kondalum alagu thathumbum avalidam athanai paermun

Yeppadi kaetpaen.

Enaku nee than vaedumena!Yemanum Oru Naal Sethu Povan.....
"Unmaiyaga Oru "Pennai Nesithal"

Vaasalil vantha rojave,
un vaasanai parkka koodatha,
vanil vantha vennilavey,
unnai thottu anaikka mudiyatha,
muttana mothiramey,
unai aasayai aniya mudiyatha,
ninaivil nigalntha anaithum,
kanavil nigalatha,
kanavil kanda thevathayeh,
unai
ninaivil
kaana



Sad Love Quotes In Tamil



 Sad Love Quotes In Tamil



 Sad Love Quotes In Tamil


 Sad Love Quotes In Tamil



 Sad Love Quotes In Tamil


 Sad Love Quotes In Tamil


 Sad Love Quotes In Tamil



 Sad Love Quotes In Tamil



 Sad Love Quotes In Tamil



 Sad Love Quotes In Tamil